Thursday, 13 October 2011

DESIGN CONCEPT

The tutorial session on Friday was a very quick consultation but a very useful one. Cameron gave me 2 different directions to look into further which I have done and I am starting to get a clearer idea about my proposed solution.

Cameron suggested I look into an example of architecture that could be relevant to my investigations into landscaping seating and building in underneath. The example is an architecture that came about from the result of a competition for the redesign of the discount ticket booth for TKTS in New York.

TKTS

Completed:  2008
Designers: Perkins Eastman, Choi Ropiha, PKSB Architects

Function:

  • new structure to provide purpose for their concession lease.
  • Father Duffy who were interested in restoring Duffy’s presence.
  • Gathering point Times Square’s economic and branding improvements
 This is a multifunctional architecture using tiered structure and building built in underneath..It includes an inclined public space (translucent red steps) where locals and visitors can pause, sit and experience the 'crossroads of the world'.





Images taken from http://www.dezeen.com



Cameron also gave me a further insight into my ideas about utilising parks, reminding me that the city Canberra was originally designed to follow the city beautiful movement which strived to create the ideals of a garden city. This has led me to revisit the planning of Canberra as a city designed for the parliament and to look closer at the way the ideals of the garden city have been incorporated into the planning.

This included looking at the green roof form of the parliament house, and this, together with the exploration into tiered seating or stairs have finally led me to my design concept.

I will take inspiration from the existing parliament house architecture and create a new space but one that is linked to the existing house. After all, I am not proposing a solution which aims to replace the existing Parliament house, but rather an extension which aims to bring the parliament to the people. I will take the green roof form as used in the existing parliament house and follow this form to create a giant staircase of sorts. This staircase will be integrated into the natural context of the park and have the ability to be used for the seating for an outdoor theatre/lecture space. I will then use the space underneath the staircase to design a space that can contribute to housing other parlimentary functions that are related to the people.


Thursday, 22 September 2011

ENGAGING SPACES

I have been looking at ideas and ways to design space within parks to engage people. Playgrounds is an obvious one for children, but I am also finding other examples that invite people.. The examples I found for spaces which successfully invite peoples attention all had something in common. There was an interesting element about these spaces, each of these parks or spaces created an experience out of the ordinary, changing the everyday context that the environment might otherwise be experienced in. This promise of a different experience is drawing people to the place and appealing to them to interact with the space. Some examples of successful spaces involve an unexpected scale, others unexpected forms. In the example shown in the lecture, the New York Highline park, the ordinary context is changed.. the park exists on an old railway. It is risen above the city and the park is enjoyed from a very different perspective than ordinary.

INTERACTIVE LANDSCAPE

The last few days I have been giving more and more consideration to how to design a park for people to interact with it. I have also revisited the functions that I came up with to help focus my direction. Of these functions, the one that stands out the most as having specific requirements is the lectures, or question and answer sessions. This is because for such a space to be successful, the relationship between the person giving the lecture and the audience is a very important one. I have been looking into theatre requirements and qualities best for different types of audio, and some important considerations for an outdoor space are:

  • Tiered seating for audience sight lines
  • Acoustic protection
The tiered seating requirement has given me a direction to investigate further as I have also been looking into designing with variations in land level and land form to create interesting spaces that would engage participation of people. One of my considerations was creating a piece of architecture that people could climb over and around so that it becomes part of the interactive landscape as well as the building.

This has led me to the development of a landscaped seating space that can be used as more than simply seats. It also becomes an interesting space to walk around, exercise around, play around for children, and interact with. I would like to keep the changes in the landscape as natural looking as possibel and am considering digging out underneath the landscape to house a building. 

Wednesday, 21 September 2011

PARKS AND PLAYGROUNDS

With a clear direction of utilising parks to distribute the parliament and with the idea of appealing to youth, I have started an investigation into parks and playgrounds with the aim of finding an appropriate architectural solution.
 During this investigation I found many interesting approaches to designing a space that invites participation from young people.

SOME EXAMPLES..

 
CARLTON PLAYGROUND, MELBOURNE 2000
Taylor Cullity Lethlean with Mary Jeavons Landscape Architects





NOGUCHI UN PLAYGROUND,  NEW YORK, PROPOSAL, 1952
Isamu Noguchi

 Image from aqua-velvet.com


CHILDREN’S PLAYGROUND, TAKINO HILLSIDE PARK, JAPAN, 2000



VAN CAMPENVAAT PLAYGROUND, HOLLAND,
Carve
 

SCULPTURAL PLAYGROUND, GERMANY 2011
Annabau
 



Having thought about these approaches and the brief at hand, I am very keen to consider further if there might be a way to design a solution that incorporates a playful approach or a way to invite interaction from young people...